Showing posts with label portrait. Show all posts
Showing posts with label portrait. Show all posts

2009-10-06

Catch light in models

I was curious one day and went to the women's hair coloring section in Walgreens and snapped a few pictures with my wife's Canon SD750 (it is such an amazing camera!):

No, I didn't walk in with an SLR. I find that the moment I put my eyes through a camera's view-finder, I get kicked out 90% of the time whenever I'm on a private property for one reason or another. SLRs are huge, cumbersome, and impractical to use most of the time.

I organized the snapshots below. Take a careful look at them. Photographically speaking, what do these pictures have in common? Which pictures do you like/dislike and/or catch your eyes? Try to answer these questions as you're looking through these pictures:


Photographically speaking, these pictures have the followings in common:

1) All of them used diffusers (bounce, softbox, octobox, or umbrella) to cast gentle lighting on the face, to either carve and accentuate some parts of the face, or to flatten the shape of some parts the face.

2) All the eyes are in sharp focus. They say the eye is the window to a person's soul, and when the eyes are in focus, the entire picture is in focus [psychologically speaking].

3) Almost all have at least 1 main catch light in the eyes, placed between 1 o'clock and 11 o'clock position-- aka your very standard text book studio shot. Wikipedia says "Catchlight is a photography term used to describe either the specular highlight in a subject's eye from a light source, or the light source itself. They are also referred to as eye lights or Obies, the latter a reference to Merle Oberon, who was frequently lit using this technique. A catch light may be an artifact of the lighting method, or have been purposely engineered to add a glint or "spark" to a subject's eye during photography. This technique is useful in both still and motion picture photography. Adding a catch light can help draw attention to the subject's eyes, which may otherwise get lost among other elements in the scene."

4) All the catch light are using interior artificial lighting, be it an umbrella, softbox, octobox, or some type of studio diffuser. Four models on the left column used a single softbox (square). A softbox looks like the following:
In fact, if you look at the eyes carefully where there is a white bright square in their eyes, you'll also see a little bit of a ball shaped thing below the white square. That is actually a photographer's head! This is pretty common in studio settings where you want the softbox slightly on top of the model, and the photographer needs to get in front of the softbox to make the shot.

The rest of the pictures use either octobox or umbrellas. An octobox looks like the followings:


Portable studio umbrellas look like the following (there's also a bounce panel to the right):




When a human being looks at a portrait, he/she has an intuition what looks good or not. But photographers can go one step further and decompose and analyze at how the portrait is shot. In the case of portraits, pictures that have catch light have a higher tendency to catches the viewers' attention.

There is one picture that does not place the main catch light between the 1 o'clock and 11 o'clock position. That's the bottom right model where the catch light is actually below and to the right of the model's pupil. This gives her a little bit of a mysterious look (along with a darker broad lighting position to cast more shadows on her left cheek, to make her look even more mysterious than the other models).

Going back to the model pictures, which models catch your eyes? What lighting techniques are used in those pictures that you like? Do you prefer a single source catch light, or multiple light source catch light? Do you prefer the look of a softbox (looks more like a window), or do you prefect the octobox/umbrella look?



* Men's hair dye products do not emphasize the eye as much. The catch light is typically smaller because the photographer usually moves the lighting a bit farther. Farther lighting source gives a bit more harsh feel to the face (opposite of diffusing light for women), which is appropriate if you want the man to look harsher and more manly. Go to any men's hair color section and you'll see what I mean-- smaller catch light, harsher lighting source that yields more square looking face.

2009-08-08

Model shoot - Jane Chiu

Jane Chiu is a former co-worker / model / friend who needs a few shots for her upcoming pageant. The location of this shoot is at Caltech. She's experienced so it's easy to shoot her, with minimal instructions and setup time.

At the time I had the luck of having FIVE assistants-- my beautiful wife Pam, her brother Ben, brother's wife Karla, her mom Yuen, and Jane's bf Rob. I designated Pam as the main light, Ben as the fill light, and Karla as the hair light-- the rest carried equipments. We had about an hour and a half to shoot (6:10 till sunset), so it was a very fast paced session. I like fast paced shooting sessions.

I prefer to shoot a client's head first-- the make up is still fresh, there isn't a lot of sweat, and the eyes and expressions are still sharp (model fatique kicks in after an hour or so). Therefore, I almost always start with head shots first. Below is a 3rd try. I kept this one because the face is clear, the lighting is soft (thanks Pam!) and the catch light in her eyes shows up clearly. Also I liked the blurred domes/arch that I placed in the back. Nikkor 105mm f/2.8G VR.



After a few usable head shots, I move to half body shots. The sun-ray hitting to the side of her hair and a little bit of the face-- flash magic. Nikkor 24-70mm f/2.8G.


After about 1/2 hour we moved to the hallway in Caltech. There were a bunch of people dressed up for their wedding shoot, and I decided to make them as the backdrop. No flash. No Photoshop magic, shot as is using a specialized "wedding lens" called Lensbaby Composer. Lensbaby Composer set on Manual exposure mode on f/4 aperture ring.


Every shooting session needs a darker, more serious shot. Here are two of my favorites using one of the dark buildings on Caltech. One is a soft dark shot, and the other one is a harsh cold-looking shot.



For some reason, many Asians like white-washed (hi-key like) shots. So here is one for the sake of variety:

Personally, I like vintage stuff. Below is an attempt at creating a 1960s film look. This could have been someone's mom in the 60s, or something:


In the end we had about 110 frames. 20 were duds (test exposures). I ended up picking only 30. All of these pictures were shot under an hour and a half, with five assistants. In the absence of assistants, I'd have to use umbrellas (instead of hand-hold diffusers), and it would have taken at least 4 hours. Thanks to Pam, Ben, Karla, Yuen, and Rob. That was pretty fun!

P.S. Feel free to send me more clients!

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Technical data:
Nikkor 105mm f/2.8G VR
Nikkor 24-70mm f/2.8G
Lensbaby Composer f/4